The centre case of the cabinet: one fixed cabinet card, held across a whole collection. Standard frames at 6 credits, premium kept for display fronts.
Standard text-to-image: 6 credits per image — and your daily check-in hands you 6 credits free, so today’s first frame can cost nothing. Every job shows its exact cost before you confirm it.
Every collection in this room begins the same way: a fictional adult woman, described once and described properly. The standard model renders a tall 832×1248 frame for 6 credits; the premium model, at 41 credits, is reserved for the pieces that will sit at the front of a display or carry a profile. Between those two costs lies the whole craft of the generator, and it is a lapidary craft in spirit: the character’s description is her cabinet card, and a cabinet card is never rewritten from memory halfway through a collection.
Write the card with five fixed lines, always in the same order: her age as a plain number, 34 or over here by cabinet habit; her hair — colour, length and one habitual style; her build in two or three words; one or two enduring facial details; and a signature — the mole, the small scar, the ring she never takes off — that lets a viewer know her even in a tight crop. Paste that card, word for word, at the head of every prompt. Beneath it, a single changing line carries what varies: the outfit, the room, the hour, the light. Hold the card steady and each new piece can be appraised honestly against the last; let it drift and no case in the room will bring her back.
Concrete lines survive the move from job to job. “Deep-amethyst hair in a high side-swept ponytail with a gold cuff” renders the same woman every time; “glorious hair” is a mood, and moods are re-cut at every generation.
Make a set in one room under one light, then move a single thing onward. A collection is built from deliberate single changes, not from re-rolling a prompt and hoping she stays herself.
Generate generously at the standard cost, then cull hard against the cabinet card. Edits, swaps and upscales are finishing costs — spend them only on pieces that earned their place behind glass.
Brief seven frames of one character in one session, and the feed never waits on inspiration mid-week.
The frame at the front of a pack, cut to the same cabinet standard as the set inside it.
Stills composed with room to move — space around the subject, a direction left open — ready for the projection case.
“Fictional 36-year-old woman, deep-amethyst hair in a high side-swept ponytail fastened with a slim gold cuff, warm olive skin, a small beauty mark below her right eye; royal-purple velvet and gold-lace lingerie set with a sheer gold-trimmed robe slipped off one shoulder, standing among tall glass display cabinets with gilded frames in a royal-purple collection room, spotlit plinths behind her, editorial photograph.”
Everything before the semicolon is the cabinet card — it never changes. The line after it is the only new thing in this piece.
“Fictional 36-year-old woman, deep-amethyst hair in a high side-swept ponytail fastened with a slim gold cuff, warm olive skin, a small beauty mark below her right eye; the same purple velvet set, standing against a plain cream studio wall, one shaft of evening light from the left, editorial photograph.”
A bare wall is the honest test of a cabinet card. If she is still herself against nothing, the card is sound and the collection can be trusted.
| Setting | Standard model | Premium model |
|---|---|---|
| Cost | 6 credits | 41 credits |
| Kept for | Series work, daily pieces, volume | Display fronts, hero frames, the one image everyone sees first |
| Method | Generate many, keep few | Brief slowly, generate few |
| Symptom | Cause | Correction |
|---|---|---|
| The character changes between pieces | The cabinet card was rewritten from memory | Paste the same card every time; vary only the line below it |
| The frame feels crowded and unsettled | Too many objects and actions in one brief | One room, one action, one light source per piece |
| Hands and small props break | Hands asked to hold fine detail | Rest the hands, or crop the frame at the waist |
Yes. Registration is free, and the daily check-in gives you 6 credits — exactly the cost of one standard frame. That is one new piece for the cabinet every day, for as long as you keep checking in. Credit packs are there for the days when the workload runs longer.
A standard frame costs 6 credits, shown before you confirm the job. The premium model costs 41 credits and is best kept for display fronts and hero frames rather than daily series work.
Write her cabinet card once — age, hair, build, face, signature — and paste it unchanged at the top of every prompt. Change only the outfit, the room and the light in the line below it, and appraise each result against the card.
No. Pieces rest private in your account. Only what you deliberately publish appears in the gallery, and unpublishing takes effect immediately.
A tall 832×1248 portrait frame, ready for feeds and stores. When a destination asks for more, the image upscaler in the finishing case is the last stop.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator